![]() The in-ear monitors fit deeply with the right orientation. The detachable audio cable is flexible and covered in high-quality plastic shielding. The ergonomic arm that sits in the ear canal is slightly larger than the competitors. The all-black headphones are made from hard plastic with an over-ear cable hook. Rest assured, you will find a comfortable fit. The box includes the headphones, a rugged storage case, 1/8 and ¼-inch adapters, and multiple ear tips (memory foam, dual flange, and standard gel). The Mackie MP-240 in-ear monitors are designed specifically for on-stage use. Passive noise Isolation with 40 dB Noise Attenuation.Dual Hybrid Drivers: Dynamic + balanced armature.They are an excellent option for bass players who need in-ear monitors for live performances. These shiny black IEMs feature dual hybrid drivers capable of detailed audio reproduction. Mackie is no headphone maker, but the MP240 (and the MP-series at large) has been around for long enough to change that perception. Mackie MP-240 Hybrid Dual-Driver Ear Monitors (Top Pick) With that out of the way, let’s dive into the full reviews of the best in-ear monitors for bass players:ġ. ![]() It’s not cheap, but it can handle anything you throw at it. Expect breathtaking clarity, an extended frequency range, and striking separation of highs and lows. Try the Westone Pro X30in-ears with three balanced armature drivers. Consider these ear monitors for practice, rehearsals, and gigs at small-to-medium sized venues. It’s a workhorse with a surprisingly good bass response for an IEM with a single dynamic driver. ![]() The Shure SE215 PRO delivers excellent value for a modest price. Plus, there is a generous inclusion of silicone, double-flange, and foam ear tips. It’s comfortable, durable, and delivers fantastic sound thanks to the dual hybrid drivers. The Mackie MP-240 is our top pick among in-ear monitors for bass players. What Are The Best In-Ear Monitors For Bassists? Here, we list five in-ear monitors that give the best value for your hard-earned cash regardless of your budget. You might need a trust fund or a record deal to purchase them.īut all is not lost if you don’t. There are several options at different price points. ![]() That’s IEMs with more quad or more drivers. But you have to move upstream for good bass response and frequency range. There are four things on-stage in-ear monitors should accomplish – a) be comfortable, b) block out enough external noise, c) produce high-quality sound, and d) stay put.ĭecent performance monitoring is possible with passive noise resistance and a single driver. Invest in a pair of in-ear monitors (and a wax cleaning kit).Īs a bass player myself, I’ve come across dozens of in-ears ranging from single to quad drivers, hybrid or otherwise. But you don’t have to suffer the limitations of floor monitoring systems. It’s exasperating when you can’t monitor yourself, struggle with feedback, or can’t hear other musicians. Do as I do, blame it on the laws of physics. ![]() If you have played live, you’ve been there – a gig with poor onstage monitoring that put a ‘wedge’ in your performance. In-ear monitors (IEMs), not to be confused with consumer earphones, are a ticket to a better on-stage listening experience.
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